Volume 48/75
Fall/Winter 2025-26
Biannual Online Magazine of SF, Fantasy & Horror
JR Blanes
R.J. Breathnach
Julie Brydon
By Ron Fein
Levi Fleming
Austin Goodmanson
Brian D. Hinson
Bruno Lombardi
Chris Scott
by E.G Skaar
Carl Tait
J. Tamsin
Maryanne Chappell
Ty Drago
Kelly Ferjutz
Carrie Schweiger
J. E. Taylor
Volume 48/75
Fall/Winter 2025-26
"The first draft is just you telling yourself the story." — Terry Pratchett
Hello Old Friend
I bring distressing news.
Adapa has perished.
You must prepare yourself.
Bako
I stared at the note in silence for a full minute, unable to process what I had just read.
Adapa dead? How? Why?
Adapa was an immortal, just like myself.
And if he is dead, then...
I took a long deep breath and slowly exhaled.
This is going to be a very bad day.
Bruno Lombardi is a Canadian author of speculative and weird fiction, with a number of writing credits including a novel, Snake Oil, and stories in Weirdbook and other anthologies and magazines, including "A Pilgrim's Tale" and “Night Sky in His Eyes” in Abyss & Apex, and “The Dream-Quest of Sphinx" in Electric Spec. He has had a rather distressing tendency to be a weirdness magnet for much of his adult life. If your friend's cousin's brother-in-law tells you a story and swears it's true and that it 'happened to someone he knows', it was probably Bruno. He currently lives in Ottawa, having recently retired from a 23 year career as a civil servant for the Canadian government. He’s fairly certain that at some point in the future it’ll all make sense. He has also met lots of people off the internet and has yet to be murdered by any of them. His cat, Lily, on the other hand, has other plans. You can find him on Facebook https://www.facebook.com/profile.php?id=100051709043140

It smelled of stale humidity outside, like a basement shower stall left to fester. Dank and rot and mold. Fuzzy spores floated like black snow leaving dark streaks on the sky like the walls of a filthy aquarium. Trees rose, dry and naked, black twisted things like burned matchsticks marking the sporefall-buried road.
Two figures in environmental suits trekked through the hostile air and alien landscape like divers walking the sea floor. They marched single-file: the older one one carrying a dinged-up bolt-action rifle took point, the bright red scarf wrapped around his neck shone like a beacon in the murky air for the other to follow, trailing behind in his tattered suit with sewn-on patches of frayed fabric where the Kevlar had buckled.
The man in the scarf stopped and slung the rifle to his back while he waited for the younger one to catch up. Thick and heavy air obscured and reduced the world to shadows and vague shapes beyond the immediate. The edges of his scarf flapped limply, unweaving and fraying from where bits of it had been cut away.
"Quit screwing around," said the man, turning the boy around and checking the valves on his air tanks to be sure that they were as open as they could be.
The young man said, "Is there something wrong with my air?"
Levi Fleming lives in Minnesota where he keeps difficult hours. He can be found posting incorrect alt text on photos at @leadpipe.bsky.social. Please never call or knock on his door.
“No,” he agreed. “How long do we have?”
She checked her watch. “Almost ten minutes.”
“All right.” Marco cracked his knuckles and flexed his fingers over the keyboard. “How about we start this way: ‘Mom and I—”
“No,” she interrupted. “You don’t need to waste space on things like ‘Mom and I.’ Nate knows it’s from us. You don’t even need to say ‘we.’ That’s assumed.”
“Fair enough,” conceded Marco. “But then why did he say ‘a’ great alcove? If he’d just said ‘with great alcove,’ he’d have saved a character—actually, two characters including the space. That plus the other four could have been an additional word.”
Rada rolled her eyes. “You’re overthinking this.”
“Come to think of it,” he continued, “Nate didn’t use all forty-eight characters. His message is just forty-four.”
Ron Fein is a Boston-area public interest lawyer who, in his copious spare time, writes science fiction, fantasy, horror, mystery, and comedy. His work appears in Nature, Factor Four, Daily Science Fiction, Nonprofit Quarterly, MetaStellar, NoSleep Podcast, Mystery Tribune, and McSweeney’s Internet Tendency, and has been translated into Croatian and Romanian. Find him at http://ronfein.com/ and on BlueSky @ronfein.bsky.social.

My newest client, a short, skinny guy with a pointy face, stood with his arms crossed as I collected crime evidence in his breakfast nook where an empty oak table looked sad next to the window. “It’s not a plant,” Owen told me for the second time. “And it’s worth about forty grand.”
My eyebrows wanted to rise, but I have a good poker face. I charged a twenty percent commission on found items. Plus expenses. This Owen already put up the non-refundable retainer on a credit card. And I intended to call his missing weird thing a plant a few more times just to annoy him.
“You’re a snoop, a real reporter, so why do you need me?” I asked as I scanned for traces of DNA that didn’t match him or his wife or his useless pit bull.
“Other pressing responsibilities. There’s deadlines, stories that pay. This business may not, so I don’t have the time.” He frowned. “Or a DNA…thing,” he added as he pointed to my biologic code decipher that I wanded over his carpet.
Brian D. Hinson abandoned an unfulfilling career in 1999 to take up part-time work and visit 40-some countries in the backpacker fashion. He slowed life even further to settle in rural New Mexico, USA with his wife and three pit bulls to write science fiction. Short story “Disposable Gabriel,” in December 2023 Cast of Wonders, made Nerds of a Feather’s recommendation list for the 2024 Hugo. “Distance and Family and Death” is featured in Amazing Stories’ Best of 2024. Other stories in Pseudopod, Andromeda Spaceways, On Spec Magazine, Shoreline of Infinity, Hyphen Punk, James Gunn’s Ad Astra, and more. https://www.briandhinson.com

The first thing you should know is there’s nothing extraordinary about the kaleidoscope that changes my life. It’s not on display at some strange toy shop that, after making my purchase and then trying to return it the next day, has mysteriously vanished. It’s not discovered in my grandfather’s attic, in an ancient dust-entombed trunk that hasn’t been opened in decades. It’s not saddled with some dark backstory like each person who’s come into possession of it has died in increasingly bizarre and improbable circumstances. It’s sitting atop a pile of other completely identical kaleidoscopes, all manufactured in China or somewhere, tossed carelessly into a bin at the dollar store. Just a cheap piece of tin and plastic. No magic spell, no dark powers. And no string connecting the kaleidoscope to me, and me to the Chatham Juvenile Detention Center. At least none that I can see yet.
The kaleidoscope is an inconsequential part of the scenery when it first enters my periphery under the too-bright fluorescent lights of the store, not calling out to me or anything like that. Mom and Darren are in the next aisle, grabbing some odds and ends, arguing about prices. I hear Darren say “Everything used to just be a dollar here. That was the whole point,” something I’ve heard him say a million times. Mom is too tired to engage after her double shift, and also probably doesn’t feel like arguing about how much stuff should cost at the dollar store again.
She suddenly appears in my aisle, which appears to have a loosely cobbled together “fun” theme involving some toys, some school supplies, and a smattering of Easter stuff.
“Three dollars,” she says to me, and I swear I don’t react in any way, no sigh or flash of disappointment on my face or anything like that -- I know better -- but she immediately relents. “Okay okay, four dollars,” she smiles. This is our little thing at the dollar store. Has been since I was a kindergartner.
Chris Scott's work has appeared in The New Yorker, HAD, Flash Frog, ergot., Gooseberry Pie, New Flash Fiction Review, scaffold, Maudlin House, and elsewhere. He is a regular contributor for ClickHole, and an elementary school teacher in Washington, DC. You can read his writing at https://www.chrisscottwrites.com.

Andy was always startled by the intensity of his hatred for Donald Young.
Hate was not one of his usual emotions. Affection and mild dislike were his typical extremes. He was known for his equanimity, which was an asset for teamwork but a liability when arguing difficult positions.
“I know that Andy disagrees, but hear me out,” Donald was saying. Had the two men ever agreed on anything? Andy couldn’t remember. He couldn’t think clearly because he wanted to smash Donald’s face into the conference table to shut him up.
Carl Tait is a software engineer, classical pianist, and writer. His work has appeared in After Dinner Conversation (Pushcart Prize nominee), Mystery Magazine (cover story), NewMyths, Eunoia Review, The Saturday Evening Post, and others. He also has a story in Close to Midnight, a horror anthology from Flame Tree Press. Carl grew up in Atlanta and currently lives in New York City with his wife and twin daughters. For more information, visit http://www.carltait.com.

“What brings you to my bog?”
Christine cleared her throat, spoke as confidently as she could. “I’m here to make a wish.”
“One of love or death?”
“I used the black stone, didn’t I?”
The witch smiled through a twisted mouth of crooked black teeth. “You did.”
All of Christine’s reluctance had vanished upon hearing the witch’s voice. She had already come so far, braved her way through so much. She couldn’t turn back now.
“I need you to kill someone,” Christine said.
E.G. Skaar is a writer of dark tales and poetry. He currently resides in Columbus, OH with his wife, daughter and three cats. If you wish to follow his writing, you can do so on Instagram or Threads under the username @eg_skaar.
Beyond the glass house, the bell chimes for midnight. I unfurl my body, fanning my paws, stretching my legs, dipping my chest until my spine creaks, then leap from my perch atop the potting bench. The chilled dirt floor bites at my toes, the crystalline walls holding barely a trace of the day’s warmth. But the moon is out, illuminating every leaf and petal, gilding every cobweb, and I am on the prowl. For the glass house holds many treasures, and many treasures invite many thieves.
River pixies, mountain nymphs, hobgoblins, even a fire troll once; I’ve come to expect every kind of foot and finger to slip through those silver gates, eager for a piece of the Master’s collection—herbs and roots, seeds and flowers, curated from all over the continent for one purpose and one purpose only: death. But as I round the pots of devil’s tears, heading for the olaurea shrub where I sit night after night, a pair of boots stop me in my tracks, sending a twitch through my whiskers.
J. Tamsin (she/her) is an emerging author living in the Washington, D.C. metro area. Her writing is inspired by her love of twisty, plot-driven novels, as well as growing up in the ever-overcast Pacific Northwest, where she was raised by parents who passed on their passion for fantasy, sci-fi, and horror. When she’s not writing, spending many late nights and early mornings working on her numerous projects, Tamsin keeps busy reading through her infinite TBR pile and fighting the good fight to keep the doors open for life-saving public health research and healthcare.

Days after we bury Pa beneath the oak tree, strange toadstools break through the bark, winding around the trunk like a staircase leading to hell, where his body tangles with the roots. Already the foliage has shed its discolored leaves into grimy muck. The branches had grayed and peeled like old paint. Peeled like Pa’s flesh when he was close to death.
“Burn it down,” Ma says beside me.
J.R. Blanes is the author of the horror novel Portraits of Decay, coming from Ruadan Books October, 21, 2025. His short fiction has been published in Tales to Terrify, The No Sleep Podcast, Thirteen, Creepy, among others. He is also part of the Spring in the City Anthology from Ruadan Books coming this December. He lives in Chicago with his wife and neurotic dog. You can find him at http://jrblanes.com or http://ruadanbooks.com
Dear Brothers Grimm,
Please retract your latest story, Rapunzel. It is libelous and patently false. I should know—I’m the enchantress you demonized.
First of all, Jakob and Wilhelm, I have a name. And no, it isn’t Dame Gothel. The only person who called me that was my mother, and an angry mob burned her at the stake decades ago. By the way, if you were wondering why I live in a tower, that’s why. Towers are fire proof, hard to infiltrate, and easy to defend. I’m surprised they’re not more popular. But I digress.
My name is Berthadette. That’s something you’d know if you’d bothered to fact-check.
Julie Brydon (she/her) is proudly bisexual and writes sapphic fantasy about magic wielders and supernatural entities who definitely should kiss. Her short fiction has appeared in Butterworth Books’ SapphFic Eclectic Volume Four, The Pull of the Tide: A Sapphic Fantasy Romance Anthology, Worlds of Possibility, Flash Fiction Magazine, and Allegory. She also contributed a novella to the romance charity anthology, Bi the Way, I Love You. When she’s not writing, she can be found drinking too much tea with her nose buried in a book or three. To learn more, visit http://juliebrydon.com/.
A groan comes from the living room. Something crumbles. The floor shakes.
She doesn’t answer. I text: How’s Anya? The ceiling slopes, forcing me to duck as I move toward the far end. My VHS collection. I don’t let anyone pile junk on them. They still do, though.
She’s putting socks over her doll’s legs, Donna replies.
A new thought: How will you guys go to the bathroom?
They are mermaids.
Austin Goodmanson lives and writes in Florida. He writes about horror and the surreal in everyday life, often pushing familiar settings toward the strange and unsettling. His work is forthcoming in Heavy Feather Review. In addition to writing, he builds miniature dioramas, a practice that shapes how he approaches fiction with an eye for scale, texture, and the way small details can shift a larger picture. He is currently pursuing a degree in Creative Writing and is working toward an MFA. At home, he lives with his wife, three daughters, four cats, and a dog named Beau.
“Just how long did it take you to finish this manuscript?”
Alura Irving leaned forward over her desk as she asked the question. The old man sitting in front of her looked like he was trying to emulate one of the wizards in the as yet unpublished fantasy novel she had finished reading the previous night. As an editor at one of the largest publishing houses in the world, thousands of authors had sat across from her making the case for their books to be picked up for publication and distributed to the literature-hungry masses. Most were young, bright-eyed and eager. They all had an idea, something they believed the world was missing in the material it read. Few of them looked, or behaved, like the man in her office at that moment.
Ernest Quill was hunched over, almost sunken into himself. He had probably been handsome, decades ago. His long hair, and even longer beard, were nearly entirely the colour of bone with only a few specks and streaks of grey running through them. The colouring reminded Alura of a snow leopard, as did his large powerful looking hands that nervously fidgeted with his beard. He was wearing a three-piece suit, robin egg blue, and occasionally his fidgeting with his beard would briefly expose a deep purple bowtie at the neck of his crisp white shirt. Alura could not remember the last time an author had dressed to impress for a meeting with her. These days it was all ripped jeans and sandals and baggy discoloured t-shirts. Those authors were all young, and they swaggered. There was no other word for it, or at least no other word that quite captured their presence. Swagger. A confidence not necessarily backed up by a corresponding level of skill, but aiming to distract from that lack. Ernest had not swaggered into her office. His movements between the door and the chair he was now sitting in would be more accurately described as pottering.
“Two years.” he said in answer to her question.
R.J. Breathnach (he/him/sé/é) is an award winning Irish writer, Wexford-born and Meath-based. In 2021 he was chosen by the Irish Writers Centre to be a Young Writer Delegate for the West Cork Literary Festival, and in 2023 he was selected as a winner of the Bread & Roses Poetry Award. His fiction has been published in Androids and Dragons, The Pink Hydra, and The Honest Ulsterman, among others. His debut poetry chapbook, I Grew Tired of Being a Zombie, was published by Alien Buddha Press in 2021. In his free time he enjoys reading science-fiction novels and losing to a computer at chess.
You'll be notified when new issues are released and when our submission periods open and close. Also, starting with our next issue, you'll receive access to special promotions.
For more details, please see our privacy policy.